Australian husband-and-wife visual artists, DABSMYLA, employ a shared design language that dictates subject matter, positioning, color theory and perspective. With this established framework and unspoken set of rules- strengthened by over a decade of working together simultaneously – their singular goal is to tell an expansive story that is wholly unique to their own experiences.
Panorama is of particular importance in DABSMYLA’s work. Micro points-of-view get referenced in larger scopes of vision – creating an interconnectedness amongst paintings both big and small.
Much in the same way a person unlocks a greater eye-scope as they lessen the zoom on a camera, one gets the understanding that a solitary subject is in fact but a minuscule element that makes up larger and recurring motifs.
There is nothing random or erroneous in DABSMYLA’s work; it’s planned and executed with the precision of a diamond heist and with the charm of a Technicolor world.
DABSMYLA enhance their works with immersive environments that enhance the sense of whimsy and grandeur contained inside paintings, mixed media and sculpture. This milieu isn’t simply adornment, but rather the tangible foundation for which everything else stands upon.
It’s this warmth and willingness to share which makes DABSMYLA’s art completely unique. Exploring tactile themes through sight, touch and sound, there are no boundaries so that the lines between real life and dreamscape are non-existent.